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Veranda published a retrospective of 10 interiors that feature wicker, including rooms designed by Renzo Mongiardino, Ward Bennett and Celerie Kemble. The examples show the material used in varied settings, but the article is a design roundup rather than evidence of a newly measured trend or industry-wide shift.
Veranda has published a roundup of 10 rooms featuring wicker, tracing the material through a range of interiors, from the Titanic’s Café Parisien to a modern Alabama sunroom. The examples show how designers have paired woven furniture with settings and styles beyond conventional outdoor spaces, though the feature does not establish that wicker has newly become a widespread design trend.
The feature brings together rooms connected to well-known designers and homes, including Renzo Mongiardino’s winter garden for fashion designer Irene Galitzine in Rome and a 1977 Rome apartment designed by Ward Bennett for art collector Marella Agnelli. Mongiardino used wicker sofas and chairs by Italian maker Bonacina. In Agnelli’s apartment, large wicker furniture appears alongside a neutral palette and modern art.
Other examples include Hubert de Givenchy’s poolhouse at Le Clos Fiorentina on the French Riviera, furnished with honey-colored wicker seating and striped cushions, and a Maine living room by Tom Scheerer. Scheerer paired antique Bar Harbor chairs with a white Saarinen coffee table and a Moroccan wool rug, according to Veranda.
The list also features Amanda Lindroth’s Nassau loggia, a Dominican Republic great room by Celerie Kemble with peacock chairs, and an Alabama sunroom refreshed by Mark D. Sikes. At Mustique’s Obsidian property, Veere Grenney used a custom wicker dining set made by Soane Britain to match the original designs. The supplied source material begins a final entry about Lulu Lytle’s drawing room at Cobblers Cove but does not provide its description.
Wicker Across Different Interior Styles
The roundup’s value is in its range of examples, not in reporting a new product launch or a verified market trend. Wicker appears in formal and relaxed rooms, alongside modern furniture, antiques, patterned upholstery, art and architectural details. That variety helps explain why designers may treat woven seating as a flexible furnishing rather than something reserved for a porch or beach house.
For readers considering the material, the rooms offer visual reference points: a single woven chair can contrast with sleek pieces, while a coordinated set can anchor a sunroom or loggia. Veranda’s selections are curated examples, however, and do not show how common these choices are among designers or consumers.
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From Shipboard Café to Modern Homes
Veranda’s first example looks back to the Café Parisien aboard RMS Titanic. The source describes its wicker seating as recalling Parisian bistro chairs and notes that diners could look through large windows toward the ocean. The space also had ivy-covered trellis walls and, in suitable weather, windows that could be rolled down.
The remaining rooms span different periods and locations. The source places Agnelli’s Rome living room in 1977 and says Obsidian was designed in the 1970s by Oliver Messel for photographer Patrick Lichfield. Its later owners hired Grenney to refresh the property while retaining its island character. These histories add context to the roundup, but the article does not provide a dated account of a broader rise in wicker’s popularity.
What the Roundup Cannot Establish
The feature is an editorial selection of interiors, not a survey of designers, sales data or a study of changing consumer preferences. Its headline characterizes wicker as having reached “cult status,” but the supplied material does not define that phrase or offer evidence measuring the claim.
The provided source text also ends partway through the entry on Lulu Lytle’s drawing room at Cobblers Cove. Its furnishings and design details are therefore not available here. The source material does not give the article’s publication date, either.
The Design Trend Still Needs Evidence
No follow-up announcement or next development is identified in the source material. Readers can use the roundup as inspiration, but a broader claim that wicker is gaining popularity would require additional evidence, such as designer interviews, market data or reporting on newer projects. The missing description of the Cobblers Cove room would also need to be consulted in the full source article before its details can be reported.
Key Questions
What is the news in this article?
Veranda published a roundup of 10 interiors that feature wicker. It is a design report, not an announcement of a new collection or a documented industry-wide change.
Which designers are included?
The supplied material names Renzo Mongiardino, Ward Bennett, Tom Scheerer, Amanda Lindroth, Celerie Kemble, Mark D. Sikes and Veere Grenney, among others.
Does the feature prove wicker is newly popular?
No. It presents selected interiors and describes wicker as having reached “cult status,” but provides no sales figures, survey results or other measurement of its popularity.
Where does the roundup place wicker?
Examples include a shipboard café, city apartment, poolhouse, Maine living room, island loggia, sunroom and dining pavilion. The range illustrates different uses without showing how common they are.
Is the Cobblers Cove room described in the available source?
Not in the supplied excerpt. It starts an entry about Lulu Lytle’s drawing room but cuts off before giving the room’s design details.
Source: rss
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